Often you will find hints and clues as to a performers elevation within the ranks or new status being revealed. Rihanna’s performance for the 2009 American Music Awards is no different. Keeping in mind that her new album “Rated R” has been released this month, her status as a fully programmed Monarch/Sex Slave persona is being fully revealed.

Check out the video:

For those who may not be aware of the facts behind he U.S governments MK Ultra or Project Monarch program, I suggest you read “The Illuminati Formula to Create an Undetectable Total Mind Control Slave”, by Fritz Springmeier and also “Tranceformation of America” by Cathy O’Brien for further insight into the trauma based mind control program that has been perfected over the years since the 1950′s.

I will be pointing out some of the symbolism within Rihanna’s AMA performance specifically related to mind control slave programming.

At first glance, it appears that this entire Rated R album is centered around showing us how Rihanna has progressed in her programming. Here are a few shots from a  photo shoot depicting sex kitten programming.

They truly put heavy cat references in that photo-shoot, but I also found it funny that they had that puppet Rihanna speaking in the video. It’s closer to the truth than you would think. I’ll get back to this photo shoot shortly.
Moving onto this AMA performance, you can see several things here off the top that should  bring questions in your mind. Firstly, why the video prior to her actual stage beginning? Rihanna is strapped on a table as she asks “what’s happening to me”, reminiscent of the same phrase in the Disturbia video. However this time, we see several “otherworldly” beings performing experiments on her.
Blue Entity standing over Rihanna

Blue Entity standing over Rihanna

Who are these spirits?

Who are these spirits?

I suppose that the question that should be asked is who are these entities and what are they doing to their “victim” who is strapped down and helpless on a medical table.  Amazing how people view things like this and consider it only entertainment. Could these beings not truly exist, but be what Rihanna “sees” right now due to altered consciousness through a dream state or through drugs? It’s also a well known a fact that many drugs are used on Monarch victims during their programming to enhance the dissociation process.
After these “spirits” experiment on Rihanna, we then see her porcelain mask being “lifted” from her face. Is this the new and improved Rihanna who is now being exposed? Again, I’m thinking that this is all taking place from the victim’s perspective. We saw this same symbolic combination in many videos lately, one recent example is Kanye West’s “Stronger, Faster, Better, Harder” video where he is in a chamber of sorts also being “transformed”.
As the video on the screen begins, an announcer says, “Ladies and gentlemen, for those among you who are weaker (unintelligible), we suggest you turn away now. For those of you who think you can take it, we say, Welcome to the Madhouse”.
We view the “beings” working on Rihanna. At first her stomach/chest region is bare, however it then flashes and appears to have been replaced with some sort of emeralds, (possibly showing her new status in the  slave ranks). Lets take a brief look at the possible significance of this color coding. The following is taken from Fritz Springmeiers “The Illuminati Formula to Create a Total Undetectable Mind Control Slave”.
GREEN or EMERALD GREEN. These cat altars recognize they have been abused. They still see themselves as belonging to the cult family, and deny that they have been abused to protect their cult family.

An alternative color scheme that is used:

DARK EMERALD GREEN. This color is assigned to the Anti-Christ-Satan alter(s). Green is the occult color for Satan and happens to be the most sacred color. Few people outside of Satanists know that Green is more sacred for them than any other color.

This is remarkable considering that this latest album both depicts kitten/cat imagery and she flashes that 666 sign. Lets look at when she flashes it, they attempted to make it go quickly as not to be too visible.

Then the overhead shot goes to this peculiar scene:
Left Hand Path Revealed
Do you see anything strange about her left hand? Well upon closer examination we see her doing the 666 handsign, also known as the “OK” sign.
handsign-circled
This is very purposeful in nature. Nobody simply holds their fingers in that way naturally while laying on their backs. So basically, what we are seeing during this introductory video, is a combination of sex slave programming along with the antichrist/satan alter personality in it’s creation.
Afterwards her mask is lifted. We see Rihanna “awaken” painfully as if trying to fight, but she immediately is either placed back to sleep or goes back to sleep.
Awakened
Her entire body then goes limp and she appears to have fully submitted or “died” on the table. The camera then pans out and reveals Rihanna on stage strapped to a spinning apparatus.
Controlled Slave surrounded by Dummies and TV screens with static

Controlled Slave surrounded by Dummies and TV screens with static

This entire scene sums up intense programming taking place. She is being rotated while surrounded by mannequins (symbolizing the dehumanization) and TV screens (another means of brainwashing) filled with static. Many movies depict government brainwashing programs of this nature.
In Cathy O’Brien’s “Tranceformation Of America” she describes how she was sometimes taken to hidden military bases and this “spinning” technique was used on her. They sometimes added trauma into this method so that the compartment was created and the program embedded in her personalities. She further stated that the number of rotations used on the table were a sort of “combination” lock to certain sex acts. Whomever knew the rotation numbers could unlock different aspects of her sex slave programming simply by spinning her a certain amount of times in a circle.
In this particular performance she was only rotated once, possibly due to time. But the implications of such an action is clear.
She then is released from her rotation and completes her performance. Her outfit is equally strange. It appears to be a sort of a “Mummy Wrap” type of outfit with a jacket on top made of bullets (that light up during the show). Is she symbolically being shot again by these bullets?
mummy outfit
In her video “Russian Roulette” (another clear depiction of the trauma based mind control). She is seen underwater being shot at repeatedly until she fully submits to it.
barbedwirearmBarb wire is wrapped around her right hand. This is showing her “control and constraint” even while being on stage, she is still bound to her masters.
She can’t conclude the performance without first paying her respects to her masters by pointing to one eye.
pointtoeye
So far, this album it’s videos and related performances, all depict Rihanna’s “crossing over” into a new level of her programming. Now we can take a look at other references related to Rated R.
sheisthedummyRhianna depicted as a dehumanized puppet head with someone else in control of the speech and most likely all of her actions.
Here are other images from the photo-shoot shown in that video above:
Cat and Kitten depictionWearing a white tiger head and leopard print body suit while holding her “cat”.
cagedoncheckeredfloorCaged animal on the checkered floor
cagedanimalAnother Caged animal shot
catandmanniquinThis one is particularly disturbing. She is seen kissing a mannequin sitting next to a cougar. Is this symbolically depicting her love for her own dehumanization process?
justadummyHere Rihanna is “just another dummy”
piledondummiesHere she is seen laying among broken mannequin parts. She has a mask displayed in front. Symbolically depicting her as a broken and “disassociated” dehumanized person.
rihannanowhomesitFrom her home site rihannanow.com. The imagery here sums it up and says it all in terms of all references being directly related to mind control programming, it’s processes and it’s ultimate results. The Rihanna on the throne is the outward persona, but it was created through the means we see all around her. Trauma, disassociation and brainwashing to create a sex slave.
If you look at the video for the song “Wait Your Turn” you will see Rihanna constantly crossing a bridge, to ultimately end up on a throne. You can put the references together yourself, but all the imagery is also present in that video including the “monarch” wings behind her back at certain points in the video.
Overall, it appears as if the album Rated R has been designed to show the work of the making of a slave in process. It also has shown us who is designing this slave and for what purpose. None of this is different from the process of Beyonce into Sasha Fierce. I’m sure we will see more mirrors, compartments, trauma and dehumanization in the future throughout this entire album. Very sad, but quite true.
Myztifyan

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11 Responses to “Rihanna – AMA 2009 Analysis”

  1. Jennifer Says:

    Very good analysis work! This is indeed very sad information to come to terms with. I will be praying for this young woman. The level of manipulation is so disturbing. I think of the very humiliating public shaming done through the physical abuse at the hand of her then “boyfriend” Chris Brown. I saw them as both being traumatized as a part of some kind of programming sequence. He was casted as the abusive “boyfriend” and she as the heroic victim by some and then this sassy provocative and mouthy “girlfriend”. And some of the rumors had gotten so outlandish with the speculation as to what she had done to “deserve” the beating. It’s amazing how some women will excuse abuse in certain circumstances. I watched and observed conversations around that time at the hair salon and places like that. The blindness and deception is scary.

  2. keke Says:

    Great analysis. I’d also like to point out that at the beginning of Rihanna’s performance when she’s on the the medical table, it almost looks like an reinactment of the robotic Maria from that old movie Metropolis when the human Maria dies and the robotic Maria is born. This may symbolize Rihanna’s controlled-state.

  3. ms. chy Says:

    I’ve been checking on these mk ultra and illuminati stuff lately and I believe to a 99 percent. But could you please tell me why are singers like Beyonce, Rhianna, Ciara, Madonna, Brittney, Gaga, possibly Aaliyah, etc, etc are all monarch sex slaves. Were they sold into it when young or is it for fame? Could they’re families have sold them into it or ARE THEY AWARE of what’s going on and pen their souls away.

    I’m shock and in disbelief. However I do believe there’s something going on. SERIOUSLY I have been noticing patterns lately in music videos and have been reading Fritz. SO YOU’RE SAYING THESE PEOPLE HAVE NO CONTROL OF THEIR CAREERS, LIVES AND RHIANNA BEAT DOWN IN THE CAR WAS APART OF INTIUATION OR APART OF A PROGRAMMING PROCESS.

    WOW!

    Hey have you check out Chris Browns new song Fallen Angel. It sounds eerie. I wonder if he’s talking about Lucifer and Beyonces Halo hit me odd too. It’s a nice song but on her songs she talks about fighting against someone or a force of light. HMM. I THINK HER dads a mason and Jay Z is her handler. Also I think Beyonce has one of many handlers. And wow do you think as her dad she had to bend in the industry to get far ahead.

    And oh why does she open her legs or show panties in her performances. NASTY. I’m like….ARE YOU KIDDING ME?

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  6. Indigobeauty Says:

    it’s sad but i believe everything, and i’m sure it’s a lot more we don’t know about. their ultimate goal is the masses but patience is key with programming. people look up to these celebrities thinking their lives is perfect and it’s far from it. I pray for them, all of them. Her R is also a hidden symbol. It’s funny to me that it’s in the public eye and yet most seem to not have a clue. Peace Luvs

  7. animated emoticons Says:

    I love Rihanna. She’s a great performer. Her performances and costumes are all top notch. Hope i can see her live again soon. I’m off listening to Hard.

    Regards,
    Jenny

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